One year of meetings with the crews of dance ngc25 and Marie Lenfant.
In echo with bodies and souls of the dancers.
Five years ago, I began this work on human chrysalises. Originally, there is always molding. That’s by it at the moment that I can be closer to someone.
When I prepare an exposure, with the moldings, I always associate another research (drawings, engravings, limp bright, photocopies of worked photos, impressions of photos on silk…).
For Onyx, I chose to experiment with photograms.
By this work, I tried to find the volumes of the body, as well as the impressions of movement and splitting in two.
Chrysalises of plaster and photograms are for me the imprint of a moment. They are unique and precious, as testimonies.
Fanny
